AES50
Also called SuperMAC, HRMAI.
An AES open standard for bidirectional, low-latency multichannel digital audio over Cat5 cable, built into the Behringer/Midas/Klark Teknik console ecosystem (X32, WING, M32, DL/XL series) to link stageboxes, consoles, and processing without an analog snake.
Stewarded by Audio Engineering Society (AES).
Continuous streams that are large enough to be sized properly, and that must arrive in order and on time.
What kills it. Anything that starves the link — usually a management transfer nobody scheduled — and jitter that outruns the receive buffer.
What it carries
- Sample rates
- 48 kHz, 96 kHz
- Audio bit depth
- 24-bit
- Audio channels
- up to 48
- Audio encoding
- Linear PCM over Cat5, layer 1 rather than Ethernet
Audio: 48 channels each direction per link at 48 kHz, dropping to 24 at 96 kHz. The count is per link and bidirectional, which is why a console and a stagebox need one cable rather than two.
What goes wrong
What speaks AES50 (6)
| Product | Direction | Notes |
|---|---|---|
| Allen & Heath dLive S7000 Allen & Heath |
bidirectional | Via card, for compatibility with AES50 stage boxes. |
| Allen & Heath SQ-6 Allen & Heath |
bidirectional | SLink port supports AES50-compatible expanders. |
| Behringer X32 Behringer |
bidirectional | Two AES50 ports for S16 / S32 stage boxes. |
| DiGiCo SD12 DiGiCo |
bidirectional | Depending on fitted option. |
| Midas HD96-24 Midas |
bidirectional | AES50 to DL stage boxes, the Midas and Klark Teknik backbone. |
| Powersoft X8 Powersoft |
in | Not supported; listed here only to prevent confusion. |
Sources
- New revision of AES50, High-resolution multi-channel audio interconnection (HRMAI) - AES Standards primary
- AES50 - Wikipedia
Known gaps on this entry: default_ports, first_published, implementations. If you can source one of them, that is a ten minute pull request.
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