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showstack / protocols / aes3

AES3

Also called AES/EBU, AES-3, IEC 60958 Type I.

Two channels of uncompressed digital audio down one balanced pair, self-clocking, on the XLR connector everything else on the stage already uses. It is the reason a digital feed can travel a mic line, and the reason people plug digital into analogue inputs by mistake.

Audio transportPaid specAESReported

Stewarded by AES (Audio Engineering Society), with the EBU.

Media Large, continuous, on time and in order

Continuous streams that are large enough to be sized properly, and that must arrive in order and on time.

What kills it. Anything that starves the link — usually a management transfer nobody scheduled — and jitter that outruns the receive buffer.

What it carries

Sample rates
32 kHz, 44.1 kHz, 48 kHz
Audio bit depth
24-bit
Audio channels
up to 2
Audio encoding
Linear PCM, biphase mark coded

Audio: Two channels in one subframe pair. Later revisions add higher rates, and the consumer variant of the same electrical idea is S/PDIF.

What goes wrong

The cable is 110 Ω, not the 45–75 Ω of a normal mic line. A standard XLR cable often works over a short run and then fails as the run gets longer, which makes it one of the more misleading intermittent faults on a stage.
It is self-clocking, so the receiver locks to the sender. Two devices that are both trying to be clock master produce dropouts rather than an error.
S/PDIF carries the same data format on 75 Ω coax at a much lower voltage. They interconvert, but not by rewiring a connector.
Plugging AES3 into an analogue input sends a wideband square wave into a preamp. It is loud, it is unpleasant, and on some systems it is expensive.

Typical use

Sources

Something wrong, or missing?

Known gaps on this entry: default_ports, implementations. If you can source one of them, that is a ten minute pull request.

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