AES3
Also called AES/EBU, AES-3, IEC 60958 Type I.
Two channels of uncompressed digital audio down one balanced pair, self-clocking, on the XLR connector everything else on the stage already uses. It is the reason a digital feed can travel a mic line, and the reason people plug digital into analogue inputs by mistake.
Stewarded by AES (Audio Engineering Society), with the EBU.
Continuous streams that are large enough to be sized properly, and that must arrive in order and on time.
What kills it. Anything that starves the link — usually a management transfer nobody scheduled — and jitter that outruns the receive buffer.
What it carries
- Sample rates
- 32 kHz, 44.1 kHz, 48 kHz
- Audio bit depth
- 24-bit
- Audio channels
- up to 2
- Audio encoding
- Linear PCM, biphase mark coded
Audio: Two channels in one subframe pair. Later revisions add higher rates, and the consumer variant of the same electrical idea is S/PDIF.
What goes wrong
Typical use
- Two-channel digital feeds between consoles, processors and amplifiers
- Digital output from playback machines and broadcast equipment
- The transport under many older matrix and distribution systems
Sources
- AES3 — Serial transmission format for two-channel linearly represented digital audio data — Audio Engineering Society primary
- Interfacing AES3 and S/PDIF (RaneNote 149) — Rane Corporation
- IEC 60958 — Digital audio interface — International Electrotechnical Commission primary
Known gaps on this entry: default_ports, implementations. If you can source one of them, that is a ten minute pull request.
Edit this entry on GitHub — one file, editable in your browser, and your handle goes on it permanently.
Work at AES (Audio Engineering Society), with the EBU? Confirm or correct this entry — it is free, it stays free, and nothing about it is for sale.